Showing posts with label Czech. Show all posts
Showing posts with label Czech. Show all posts

Thursday, February 5, 2015

Notes from Underground by Roger Scruton (Czech history, Communism, samizdat)



"...attempts at difference had the opposite effect to the one intended. For they emphasized that, in the midst of this randomness, you saw only the one identical expression: eyes staring into the distance, and lips held firmly shut as though against some pervasive infection Our people had collectively solved their shared problem, which was how to keep the mask in place, while showing that it is only a mask. People collaborated in the great deception, so as not to be deceived."

Scruton's book examines Prague life under the unrelenting pressure of communism, and it's desire to create sameness and eradicate personal opinions and choices.  Seen most in the world of literature, where writers were commonly arrested and jailed, sometimes executed, the lack of freedom of expression was so controlled as to prevent personal thoughts.  Just the idea of waving at someone insinuated a further connection, a nefarious plan under way.

The police were calculating and cold in their efforts to cool any uprisings by suppressing everything written, even harmless works of literature. In result, much more harmful (to Communism at least) works were perpetrated in secret in opposition to the force of evil. Dissident authors and writers wrote secretly, as their work (or even having it in possession) could land them into jail.  But they did not quit, and if anything, while its exposure may have been limited to the literary few, it probably saved them mentally.

The novel begins with a woman being arrested who was secretly known for copying dissident works into books. Her son involved, she takes all the blame and is jailed. Lost for what to do, he himself a writer as well, wanders the underground (both literally and figuratively) trying to figure out what to do.  Soon he meets an attractive woman who leads him on a path to produce his literature but with a theory: become famous in the outside world so much that Czech officials can't touch him without political repercussions.

But who is she, and what is her intentions?

"A curious thought entered my mind: that she had quite separate lives. The thought no sooner occurred than it became a knife of jealousy.  The girl who cultivated dissidents, what was exploring the world of the samizdat, who was in some strange way excited by the opportunity to recreate me as a hero and a martyr, was the holiday version of another being entirely."

Filled with beautiful and nuanced sentences, the novel contrasts the barbaric stomping out of words with the subtlety and pleasure of well-written prose. The author contrasts these so clearly that one can't help but feel the tension between the political forces at play and the hearts behind the written word.  It's not idealistic, some of the samizdat writers were jerks too, not to be trusted and often arrogant.  But their opposition, in whole, to the entire movement to destroy them only makes them more fascinating.

Scruton's writing is unusual.  A narrator who thinks wisely and yet makes naive assumptions, who loves and yet distrusts; a complicated man in every sense.

Advance review copy provided by Amazon.

Wednesday, June 22, 2011

The Guinea Pigs by Ludvik Vaculik (translated fiction)

Translated from the Czech by Kaca Polackova

I began reading The Guinea Pigs amused and entertained by the main character, Vasek, a family man who wishes to get his city-bound family back to nature. Since buying a rural cottage is unrealistic, he instead acquires a guinea pig for his family who live in Prague. Vasek appears to be a firm but doting father, and the first-person narration seemed almost sweet at first, as he narrates the story as if telling a child's bedtime story or guide for the care of small animals. Yet as I read, I found an underlying bit of darkness that is revealed more as the book proceeds. In the case of the guinea pig, a gift for his son Pavel, an allusion is made that I missed at first:

“It had all the attributes of a good gift…To think of a present like that, a person would first have to be to be really clever and observant; then, he would have to be quick; furthermore, he would have to have a feeling for the rarity of the moment: to know the desire of the recipient, to have a certain feeling towards him and know how to estimate the response. He would have to possess good taste combined with a sense of humor, be profound…He would also have to be a considerate person, not to have bought the weasel.”


It seems at first like good-natured humor, praising his own success with the beloved gift, but the line about the weasel--Who would buy a guinea pig AND a weasel? Knowing that the sweet piglet would be destroyed? Only a sadist would buy both, yet clearly the narrator considered it. A clue.

Vasek works for the state-run banking system in Prague, yet he clearly has no head for numbers: he’s convinced that Edgar Allan Poe was an economist. Worse yet, the bank he works for makes stealing money even more difficult by the day. With the boring job comes an astonishing amount of time left over for theorizing and contemplating all sorts of conspiracies. At work, it appears that a financial meltdown is imminent, yet no one seems to care. One supervisor, an older man who is ignored by most, becomes a focus of Vasek’s daytime speculation.

The nighttime is when Vasek studies the guinea pigs instead, his fascination only increasing daily. Yet while he gets to know his gentle little pets, they somehow end up with mysterious injuries. He is obsessed, and the family branches out to get even more of them. While his children and wife revolve around the periphery of his life, the guinea pigs are his main focus. And strangely enough, the threat of the financial meltdown begins to parallel what is happening with the family pets.

Written by Ludvik Vaculik shortly after the Prague Spring in 1968 (only recently translated to English by Open Letter), the novel is full of symbolism. This is significant because Vaculik was ostracized by the Communist Party for his opinions. It was necessary to speak in riddles or symbols to avoid further persecution. Thus, The Guinea Pigs can be read in more than one way, depending on how you interpret the symbols. For example, even the concept of ‘guinea pig’ goes beyond a small animal, having an additional meaning as a ‘subject for experiment’. Vaculik often suggested that the Czech people were being experimented upon in terms of political power and financial schemes. Even the names given to the guinea pigs owned by Vasek could be considered symbolic (yes, one of them is named “Red”).

Monica Carter explains in her excellent blog, Salonica World Lit, why Vaculik may have chosen guinea pigs to demonstrate the political situation: “if you distill oppression down to its purest form between the oppressor and the oppressed, [it’s] not difficult to imagine an oppressor doling out praise and punishment like some tough but benevolent patriarchal scientist whose only goals are to control and manipulate in order to get the result he wants. Of course he wants them to feel small and vulnerable, dependent and gullible because that's how power works” (the link to her review is below).

At times the symbolism becomes overwhelming, giving the reader moments of both clarity and confusion. At times I thought, “What on earth does this mean? I am clueless!” and other times, “I so know what he means here, I’m so clever.” I found it helpful to refer to the book Prague Panoramas by Cynthia Paces (review coming soon!) to anchor myself in the appropriate time period to understand what was happening in Prague and to see the heavy influence of Russia against the new freedoms that Czech writers were enjoying. 

Another way to look at the novel is explored in Lisa Hayden's review (link below), as she ties in the archetypes of Russian fairy tale motifs with parts of The Guinea Pigs.  Her review citing Vladimir Propp's work is fascinating.

However, the many allusions to history and politics are lightened by the dark humor that pervades the story. I found myself laughing in surprise at some places and squirming with suspicion in others. It’s not necessary to do history homework to understand the book, it stands alone. But I was curious to understand the story behind the symbolism, and really could see how Vaculik could have been in great danger had he not used the subterfuge. I also enjoyed how it pointed me to other books, including one Poe collection, just to connect the references found in the book to the overall story ("A Descent Into the Maelstrom" to be exact).  One of my favorite books so far this year!

Monica Carter’s review:

Lisa Hayden's review (with references to Russian folktales):

Prague Panoramas by Cynthia Paces is published by U of Pittsburgh Press.

Special thanks to Chad Post of Open Letter for the Advance Review Copy.

Thursday, June 2, 2011

Update: Eastern European Reading Challenge

We're five months into the Reading Challenge...how are you doing?  Are you anywhere near your goals for tourist, scholar, or ambassador?  Hopefully this post will help inspire you to stay motivated.


First off, check out this link:
http://www.theblacksheepdances.com/2011/01/links-to-your-reviews-of-eastern.html

At that link, you'll find other links to reviews by a number of diehard participants in the challenge.  Damian has reviews for titles from Blatnik, Teodorovicis, Kompanikova, Stiks, Nodas, and Kovalytis.  Linda has links to her reviews for Kadare, Slouka, Kertesz, Nadas, and Dragoman. Chrissie discusses Fraser, and Bernadette has reviews for Akunin and Eastland.  Alister also discusses Akunin.  Colleen reviews Pasulkas title and Jose reviews Miloszewski.  WonderBunny tackles Lukyanenko, as Melwyk tackles Barclay.  Lastly, CaptiveReader reviews Ignatieff and Pick.

I didn't even bother with spell-check on that paragraph!  Check out that link to discover the reviews and also enjoy the blogs of some of the participants.

Next up:  this link gives you a whole bunch of titles suggested by participants.  Daisy really outdid herself with titles to explore:  http://www.theblacksheepdances.com/2011/01/suggest-title-for-eastern-european.html.  Lisa also has a link to her blog where she reviews some of the deepest of the Russian genre.

It's appropriate that we are covering Eastern Europe, as Russia is currently the hot genre in publishing.  The London Book Fair earlier this year focused on Russian novels and poetry.  It's expected that Russian literature is going to dominate the next 18 months as Scandinavian crime did last year.

Here are some brand-new or forthcoming titles that should be mentioned:


Slavenka:  A Guided Tour through the Museum of Communism:  Penguin Books.  Animals in fable-like stories act as symbols for the Communist era.

Andrey Kurkov Death and the Penguin and Penguin Lost.  Melville House.  Russian based detective/crime with a humorous twist.

Vladimov, Georgi.  Faithful Ruslan.  Melville House.  A guard dog acts as motif.

Ulitskaya, Ludmila.  Daniel Stein, Interpreter.  Overlook.  True story of man who saved many Jews during the Holocaust.

Bronsky.  The Hottest Dishes of the Tartar Cuisine.  Europa Editions.  Russian emigrants, three generations of women.  (One of the best covers this year)....

Sadulaev.  I Am a Chechen!  Tin House Books.  Short stories.

Akunin.  He Lover of Death.  W&N.

Many more to come....

Lastly, there's a slew of Russian, Czech, and Slavic movies now available on Youtube and Netflix.  One, "Before the Rain" was discussed in detail Slavic Review's Spring Issue...it looks good but I haven't seen it.  It's set during the Bosnian Wars and was nominated for an Oscar for Best Foreign Film. 

Coming up this week on this blog, a review of Molotov's Magic Lantern and a Serbian title called, enticingly, Leeches.

Finally, the winner for the giveaway of Sofi Oksanen's Estonian novel, Purge, is Hamna.  She's got 48 hours to respond.  The next giveaway will be announced soon!